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Review of Nightbitch: Amy Adams transforms into a dog in edgy dark comedy at Toronto Film Festival 2024


In the film “Nightbitch,” Amy Adams takes on the role of a malcontent suburban mother who transforms into a dog. While the film has an attention-securing title, it falls short of delivering on its promising premise. Despite Adams’ fun performance, the movie directed by Marielle Heller fails to capture the biting, absurdist tone of the original novel. The commentary on motherhood, marriage, and societal expectations feels repetitive and lacking in depth.

Adams’ character struggles with her loss of identity and anger as she navigates her new suburban life. Her transformation into a dog, while an interesting concept, is not explored as deeply as in the novel, leaving the film feeling tame and sitcom-like. While the audience at the Toronto film festival found the relatable moments amusing, the film fails to offer any incisive commentary on the themes it presents.

Adams’ performance, while a departure from her usual roles, feels constrained by the film’s dated and one-note approach. The movie veers towards sentimentality rather than embracing its darker, more daring potential. Despite efforts to stand out in the crowded awards season, “Nightbitch” ultimately falls short of delivering a truly memorable viewing experience.

While Adams shines in her role, the film’s lack of depth and failure to fully embrace its unique premise leave much to be desired. “Nightbitch” may have a catchy title, but it could have benefited from a sharper, more daring execution to truly make a mark in the film industry.

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Photo credit www.theguardian.com

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